Celebrating writing: The annual Pizza Party Writing Workshop

Vol. 5, No. 8 (Spring 2024)

Stevie Bell, Associate Professor, York University

Despite how writing instructors like me might feel about writing, students don’t always feel as though it is the most fun aspect of their scholarly or professional lives. Several years ago, in pre-Pandemic times, I initiated a transition workshop for incoming, first-year students focused on sharing a love and enthusiasm for writing. My goal was to reframe writing for incoming undergraduate students as a rich site of interest and community at university. I wanted the Writing Centre’s most public-facing work, our workshops, to do as much as possible to promote prosocial, support-seeking behaviours among students as well as to change the remedial narrative about the Writing Centre.

The 2-hour Pizza Party Writing Workshop attracted 80-100 students that first September and each September thereafter until the pandemic transformed it into an online workshop called “The Lowdown.” The majority of our early September appointments that follow are booked by students saying that they met us at the Pizza Party/The Lowdown and are looking to continue the conversations they began there.

The in-person, on-campus Pizza Party Writing Workshop is designed to maximize engagement and relationship building between attendees and many of our writing instructors. It takes place in a large auditorium with round tables to facilitate small group activity sessions.

After a brief welcome and introduction, students join topic-oriented table activities each run by a writing instructor or two. The table topics typically include:

  • Decoding assignment instructions
  • Discovering structure
  • Developing thesis statements
  • Constructing paragraphs
  • Engaging with sources & avoiding plagiarism
  • Editing sentences

Currently, the workshop also includes a table with information and activities about working with “smart” or “intelligent” writing tools like Grammarly and OpenAI products. The number of table topics is limited by the length of the workshop, and we usually allot 10-minutes per table topic with another 3 minutes for students to rotate. A rotation of seven topics takes about 85 minutes.

For each topic table, the writing instructor spends 3-5 minutes providing some general information (noting that variations exist depending on discipline) as well as suggestions for how (or whether) to focus on the issue at various stages of the writing process. The goal is to introduce the topic and the dispel topic’s myths while inviting the students to dive deeper in 1-to-1 tutoring sessions. We use old-fashioned, tri-fold poster boards to supplement the verbal presentation. We used to provide a handout at each activity table as well, but we now offer a link to the supplementary website we built, The Lowdown on university-level academic writing, when the workshop was forced online due to the Pandemic.

via GIPHY

Then students are invited to engage in a short puzzle or gameful activity related to the topic (see examples on the supplementary website). These activities tend to prompt lots of collective teamwork and camaraderie. This is where we see bonds being formed between student attendees and with writing instructors facilitating the table activity.

Having completed a table activity, students win a ticket. They must earn a minimum of five tickets to get pizza. Eventually, the table activities are cleared away, and students continue their conversations over pizza. In this informal part of the event, writing instructors sit with students and have a chance to contribute to their conversations about transitioning to university life.

When the Pandemic hit, we were obviously unable to continue with the in-person or pizza elements of this workshop. We pivoted to an online workshop, renamed to “The Lowdown on university-level academic writing,” which ran in similar ways using Zoom break-out rooms. The online iteration of the workshop has excellent attendance, and is still the preferred modality of many students. We are looking into opportunities to re-launch the in-person pizza party.

For the online iteration of the workshop, we transformed our materials into the Lowdown website and changed some of the activities there to be do-able via Zoom. During the Pandemic, we began adding video resources to enhance the examination of these topics. This website is now capable of living as a stand-alone resource that can help first-year undergraduate students begin transitioning to university-level writing. Our plan, however, is to continue running The Lowdown and/or Pizza Party Writing Workshop to begin each year with a celebration of writing and talking writing in community. The primary goal is building personal connections between the writing centre and students.

If you’d like to chat about how to transform this workshop in your own context, get in touch!

With thanks to the many writing instructors at York’s Writing Centre who have contributed to the Pizza Party and Lowdown workshop as well as the resulting supplementary website.

“I don’t know, let’s play”: Multimodal design support in the writing centre

the word "Play" in green against a brown backdrop

Vol. 3 No. 2 (Winter 2022)

Editor’s note: This is a Session Reflection. If you have a unique tutoring experience to share, submit your Session Reflection to Brian Hotson cwcr.rccr@gmail.com

Stevie Bell is an associate professor in the Writing Department at York University and CWCR/RCCR co-founder

A sticker with the word "essay" that looks like its meltingWriting centre tutors may be seeing an increase in multimodal writing projects (DWPs) now that students are primarily producing and submitting their work online―at least this is the case for me. Today’s students have the opportunity to use colour, sound, gifs, and video elements to enhance even traditional essays, and these elements are becoming not just common, but often expected. Students are also being assigned creative projects that require them to focus on becoming design-savvy producers of multimodal texts, using design elements and theory that isn’t always in their writing toolbox

Where on campus can students seek help with multimodal projects? In my opinion, writing centres are well positioned to extend the work they do supporting students as they use writing as a tool of thinking and communicating to include multimodal processes that do not prioritize alphabetic/linguistic modes. Writing centre tutors already know the structure of argumentation, the rhetoric of academic writing, and styles and formats required for writing at university or college levels. They also know how to think along with students, as well as to think in and through the tasks, challenges, and blocks that students come to the centre to work through.

Continue reading ““I don’t know, let’s play”: Multimodal design support in the writing centre”

If you could say anything to faculty about academic integrity…

Vol. 3, No. 2 (Fall 2021)

Stephanie Bell, Associate Professor, York University Writing Centre; co-founder, CWCR/RCCR

A clear-cut strategy for undermining the writing centre’s relationship with student writers is to become reporters, adjudicators, or punishers of plagiarism and cheating (Bell, 2018).

In its heavy-handed discourse around academic dishonesty, the institution draws a divide between itself and students. Students arrive on campuses to find themselves positioned as likely criminals, and their work is policed by AI that scans it for infractions. Ironically, the institution’s academic dishonesty rhetoric can so undermine the institution-student relationship that it fosters academically dishonest student behaviour (see Strayhorn, 2012). To fulfill their missions, writing centres must carefully navigate the issue of academic dishonesty and the institution-student divide it constructs. Continue reading “If you could say anything to faculty about academic integrity…”

Honest Discussions in Graduate Writing Cafés

Visual representation of the program described in the text.

Vol. 2, No. 4 (Fall 2020)
by Keith O’Regan

Keith O’Regan is the Graduate Writing Specialist at the York University Writing Centre. He has published on disparate fields such as Post-Graduate Writing Education, Film and Aesthetic Theory, and the Poetics of Escapism. His monograph, a comparative analysis of the poetic and theatrical work of Bertolt Brecht and William Blake will be published with Brill in the Spring of 2021.


Whether it be in the nature of the workshops offered, the limitations of a typical 60-minute appointment, or in the attention to the concrete tasks associated with short essays, current forms of writing centre support are not always best attuned to the needs of graduate student writers working on longer form projects  such as masters’ theses or doctoral dissertations.

With increasingly stretched supervisory faculty, the writing mentorship graduate students receive beyond the writing centre can be limited, slow and delayed. This mentorship is sometimes structured as top-down paternalistic programs often organized around bureaucratic or financial incentives. Continue reading “Honest Discussions in Graduate Writing Cafés”