International-ish Writing Centers Association

Vol. 6, No. 1 Fall 2024

Brian Hotson, CWCR/RCCR Editor
Stevie Bell, CWCR/RCCR Associate Editor

Note: This post does not reflect the position of the CWCA/ACCR.


Last week, the IWCA announced their 2024 grants and awards winners. Once again—and year over year—the International Writing Centers Association awards go to those in the Global North, specifically Americans, save two: the non-US awardees are Editors, Karin Wetschanow, Erika Unterpertinger, Eva Kuntschner, Birgit Huemer, of the collection, Neue Perspektiven auf Schreibberatung, awarded Outstanding Book; and Gillian Saunders, University of Victoria, awarded a Dissertation Grant. Of all the IWCA Outstanding Book award winners since 1999, with the exception of this year, all awards have gone to American authors, written in American English, and published in the US (Heinemann/Boynton-Cook is a US subsidiary of Heinemann UK). Of those listed as recipients of the Dissertation Grant, this is only the second year that the grant has gone to a non-US graduate student. Only once has the grant gone to a graduate student from the Global South.

There are many examples of non-US writing centre practitioners and scholars deserving recognition. The new Centro de Escritura y Argumentación, part of the Red Mexicana de Centros de Escritura, continues the building of the writing centre community in Mexico. Examples of publications include the edited collection, Centros y Programas de Escritura en América Latina: Opciones Teóricas y Pedagógicas para la Enseñanza de la Escritura Disciplinar (2023), edited by Estela Inés Moyano and Margarita Vidal Liza;  Reimagining Writing Centres Practices: A South African Perspective (2023), edited by Avasha Rambiritch and Laura Drennan; Multilingual Contributions to Writing Research: Toward an Equal Academic Exchange (2023), edited by Natalia Ávila Reyes; Negotiating the Intersections of Writing and Writing Instruction (2023), edited by Magnus Gustafsson and Andreas Eriksson; and Inclusive Pedagogies: Teaching and Learning Practices in Higher Education in India (2024), edited by Kanika Singh of Ashoka University’s Centre for Writing and Communication. Recognizing work published or to be published is laudatory and important. Taking a global approach to this task should be the work of an international organization. Continue reading “International-ish Writing Centers Association”

Celebrating writing: The annual Pizza Party Writing Workshop

Vol. 5, No. 8 (Spring 2024)

Stevie Bell, Associate Professor, York University

Despite how writing instructors like me might feel about writing, students don’t always feel as though it is the most fun aspect of their scholarly or professional lives. Several years ago, in pre-Pandemic times, I initiated a transition workshop for incoming, first-year students focused on sharing a love and enthusiasm for writing. My goal was to reframe writing for incoming undergraduate students as a rich site of interest and community at university. I wanted the Writing Centre’s most public-facing work, our workshops, to do as much as possible to promote prosocial, support-seeking behaviours among students as well as to change the remedial narrative about the Writing Centre.

The 2-hour Pizza Party Writing Workshop attracted 80-100 students that first September and each September thereafter until the pandemic transformed it into an online workshop called “The Lowdown.” The majority of our early September appointments that follow are booked by students saying that they met us at the Pizza Party/The Lowdown and are looking to continue the conversations they began there.

The in-person, on-campus Pizza Party Writing Workshop is designed to maximize engagement and relationship building between attendees and many of our writing instructors. It takes place in a large auditorium with round tables to facilitate small group activity sessions.

After a brief welcome and introduction, students join topic-oriented table activities each run by a writing instructor or two. The table topics typically include:

  • Decoding assignment instructions
  • Discovering structure
  • Developing thesis statements
  • Constructing paragraphs
  • Engaging with sources & avoiding plagiarism
  • Editing sentences

Currently, the workshop also includes a table with information and activities about working with “smart” or “intelligent” writing tools like Grammarly and OpenAI products. The number of table topics is limited by the length of the workshop, and we usually allot 10-minutes per table topic with another 3 minutes for students to rotate. A rotation of seven topics takes about 85 minutes.

For each topic table, the writing instructor spends 3-5 minutes providing some general information (noting that variations exist depending on discipline) as well as suggestions for how (or whether) to focus on the issue at various stages of the writing process. The goal is to introduce the topic and the dispel topic’s myths while inviting the students to dive deeper in 1-to-1 tutoring sessions. We use old-fashioned, tri-fold poster boards to supplement the verbal presentation. We used to provide a handout at each activity table as well, but we now offer a link to the supplementary website we built, The Lowdown on university-level academic writing, when the workshop was forced online due to the Pandemic.

via GIPHY

Then students are invited to engage in a short puzzle or gameful activity related to the topic (see examples on the supplementary website). These activities tend to prompt lots of collective teamwork and camaraderie. This is where we see bonds being formed between student attendees and with writing instructors facilitating the table activity.

Having completed a table activity, students win a ticket. They must earn a minimum of five tickets to get pizza. Eventually, the table activities are cleared away, and students continue their conversations over pizza. In this informal part of the event, writing instructors sit with students and have a chance to contribute to their conversations about transitioning to university life.

When the Pandemic hit, we were obviously unable to continue with the in-person or pizza elements of this workshop. We pivoted to an online workshop, renamed to “The Lowdown on university-level academic writing,” which ran in similar ways using Zoom break-out rooms. The online iteration of the workshop has excellent attendance, and is still the preferred modality of many students. We are looking into opportunities to re-launch the in-person pizza party.

For the online iteration of the workshop, we transformed our materials into the Lowdown website and changed some of the activities there to be do-able via Zoom. During the Pandemic, we began adding video resources to enhance the examination of these topics. This website is now capable of living as a stand-alone resource that can help first-year undergraduate students begin transitioning to university-level writing. Our plan, however, is to continue running The Lowdown and/or Pizza Party Writing Workshop to begin each year with a celebration of writing and talking writing in community. The primary goal is building personal connections between the writing centre and students.

If you’d like to chat about how to transform this workshop in your own context, get in touch!

With thanks to the many writing instructors at York’s Writing Centre who have contributed to the Pizza Party and Lowdown workshop as well as the resulting supplementary website.

Precarity and pluckiness: A message from in-coming CWCA/ACCR President, Stevie Bell

Vol. 4, No. 1 (Summer 2023)

Stevie Bell, President, CWCA/ACCR

Thanks to all for the warm welcome to the CWCA/ACCR’s presidency. I come to this position with humility, a readiness to serve the Canadian community of writing centre professionals, and immense gratitude for  the contributions of my fellow Board members. This community is near and dear to my heart. I’ve grown up in writing centres, starting my career as a peer tutor at Wilfrid Laurier’s Writing Centre back in 2004  before becoming an instructor at the University of Waterloo’s Writing Lab and English Language Proficiency Exam program as a graduate student. When I graduated from UW with a dissertation project centered on how student writers learn to engage with sources (often despite their course directors’ assignment designs and their institution’s policing of academic honesty), I was privileged to join the world of writing centres with some permanence at York University’s Writing Department. I attended the CWCA/ACCR’s first independent conference in Victoria and was eager to get involved a few years later in a leadership capacity as Digital Media Chair. Since then, I have committed countless evenings to this amazing organization working in service to my friends and colleagues across Canada. Continue reading “Precarity and pluckiness: A message from in-coming CWCA/ACCR President, Stevie Bell”

Writing a conference proposal: A step-by-step guide

Vol.4, No. 4 (Spring 2023)
Brian Hotson, Editor, CWCR/RCCR
Stevie Bell, Associate Editor, CWCR/RCCR

This is an expansion of the CWCR/RCCR post, Vol. 3 No. 3 (Winter 2022).


‘Tis the season, conference season. For those who have not written a conference proposal, it can seem like a daunting project. The thought of it can cause many to not submit at all. It can be difficult to know where to start and what to write, while following a conference’s CFP format and theme. We’ve had both successful and rejected proposals. As conference proposal reviewers and conference organizers, we’ve read many proposals and drafted several conference calls-for-proposals, as well. Here are some of the things that we’ve learned from experience. We hope this guide will provide you with some help to get your proposal started, into shape, and submitted. Continue reading “Writing a conference proposal: A step-by-step guide”

Academic writing and ChatGPT: Step back to step forward

Vol. 4, No. 2 (Spring 2023)
Brian Hotson, Editor, CWCR/RCCR
Stevie Bell, Associate Editor, CWCR/RCCR


Sam Altman, a co-founder of OpenAI, creators of ChatGPT, said in 2016 that he started OpenAI to “prevent artificial intelligence from accidentally wiping out humanity” (Friend, 2016,  October 2). Recently, Elon Musk (also a co-founder of OpenAI) and The Woz (a co-founder of Apple) along with several high-profile scientists, activists, and AI business people, signed a letter urging for a pause in the rollout of Large Language Model (LLMs) AI tools, such as ChatGPT. The letter warns of an “out-of-control race to develop and deploy ever more powerful digital minds that no one—not even their creators—can understand, predict, or reliably control” (Fraser, 4 April 2023). A Google engineer, Blake Lemoine, was fired for claiming that Google’s LLM tool, LaMDA, had become sentient:

I raised this as a concern about the degree to which power is being centralized in the hands of a few, and powerful AI technology which will influence people’s lives is being held behind closed doors … There is this major technology that has the chance of influencing human history for the next century, and the public is being cut out of the conversation about how it should be developed. (Harrison, 2022, August 16)

Continue reading “Academic writing and ChatGPT: Step back to step forward”

Friends don’t let friends Studiosity (without reading the fine print)

A surveillance on the ledge of a building with a cloudy sky in the background.

Vol. 4 No. 1 (Fall 2022)

Brian Hotson, CWCR/RCCR Editor
Stevie Bell, CWCR/RCCR Associate Editor

Like many teachers on a late-August vacation, education companies can see September on the horizon. The difference is that these companies aren’t relaxing. They’re sending e-mails and booking video conferences with offers of freshly printed textbooks, handy workbooks, new online tools, and easy-to-use mobile apps that promise to make student life easier and save universities and colleges money.

The business of education is very large, with total global spending estimated at $4.7 trillion (USD) (UNESCO). By comparison, the total GDP of all African nations in 2021 was $2.7 trillion (USD) (StatisticsTimes, 2021). In 2018-2019, “public and private expenditure on [postsecondary] education” in Canada was $41.5 billion. Education companies would like a share of the money. In this context, a new-to-Canada online writing and tutoring tool, Studiosity, has appeared. Continue reading “Friends don’t let friends Studiosity (without reading the fine print)”

Making Space for Speaking at the Canadian Writing Centre

A conference presenter speaking into a microphone

No. 3 Vol. 3 (Summer 2022)

This post is from the 2022 CWCA/ACCR annual conference virtual poster session. – Stevie Bell and Brian Hotson, 2022 CWCA/ACCR conference co-chairs

By Moberley Luger & Craig Stensrud, University of British Columbia


As writing centres increasingly become centres for writing and communication, our presentation calls for expanding the place of speaking pedagogies in writing centres. We understand scholarly speaking as an integral part of the research—and, indeed, writing—process. We will share a scholarly speaking web resource we built available to Canadian writing centres: The Precedents Archive for Scholarly Speaking (PASS). The site features examples of student speakers and aims to align speaking and writing pedagogies.

Please share widely! speaking.arts.ubc.ca

 

Managing the Emotional Well-being of Tutors and Students in a Middle-Eastern Writing Center

Landscape image of palm trees and institutional buildtings

Vol. 3 No. 4 (Summer 2022)

This post is from the 2022 CWCA/ACCR annual conference virtual poster session. – Stevie Bell and Brian Hotson, 2022 CWCA/ACCR conference co-chairs

By Maria Eleftheriou, Tamanna Taher, Alaa Itani, Konstantina Spyropoulou, & Zahraa Al-Dawood, The American University of Sharjah


As part of an effort to address writing issues, the American University of Sharjah (AUS) located in the United Arab Emirates established a writing center with a peer-tutoring program in 2004. The Writing Center conducts approximately 3500 appointments a year and has a staff of 30 undergraduate tutors and four graduate tutors. In this video, we describe how our Writing Center responded to the emotional challenges presented by the pandemic. We present our story through a variety of clips which illustrate the ongoing process of introducing emotional intelligence training in our program: the discussions that emphasized the importance of emotions in the teaching and learning process, the role-playing activities and readings we incorporated into our training program, the opportunities tutors are given to discuss strategies for avoiding burn-out and our developing ability to create a safe and supportive atmosphere in our Writing Center. Continue reading “Managing the Emotional Well-being of Tutors and Students in a Middle-Eastern Writing Center”

Vacillating Pandemic Space and Emergent Themes

Image of a home office with 2 computer screens.

Vol. 3 No. 5 (Summer 2022)

This post is from the 2022 CWCA/ACCR annual conference virtual poster session. – Stevie Bell and Brian Hotson, 2022 CWCA/ACCR conference co-chairs

By Nancy Ami, Emily Arvay, Hossein Ghanbari, Kaveh Tagharobi, Madeline Walker, and Medha Yadav, Centre for Academic Communication, University of Victoria


Reflecting on our journey since March 2020, when we moved from our beloved library offices to remote workspaces, we have noted themes of safetyresponsivenessever-changing technology, and resilience that may speak to us all. We would like to share our personal paths via a blog, to affirm our writing centre colleagues: “You were not alone in experiencing …” and as a way to instill hope for the future: “You will not be alone as you experience…” Our blog features artifacts that document our individual and collective experiences with vacillating S P A C E.

Check it out here: https://onlineacademiccommunity.uvic.ca/caccwca2022/

 

Creating an Online Space for Learning Science Communication

Learning science communication online

Vol. 3 No. 6 (Summer 2022)

This post is from the 2022 CWCA/ACCR annual conference virtual poster session. – Stevie Bell and Brian Hotson, 2022 CWCA/ACCR conference co-chairs

By Clare Bermingham, University of Waterloo & Elisabeth van Stam, University of Waterloo


Abstract 

To support the development of science communication knowledge and skills in undergraduate  classrooms, students benefit from access to specific content and examples from science  communication experts. Training students in science communication prepares them for the  many careers that help bridge the gap between scientists and the public. Because  undergraduate students typically do not receive this kind of training in their undergraduate  classrooms, the University of Waterloo Writing and Communication Centre secured funding from eCampus Ontario and worked with partners from the University of Waterloo, from University of  Toronto–Mississauga (UTM), Scarborough (UTSC), and St. George (Health Sciences Writing  Centre) campuses, and from Toronto Metropolitan University to develop four asynchronous  workshops that can be embedded into courses or used for independent learning. Continue reading “Creating an Online Space for Learning Science Communication”

Academia’s ‘Among Us’: A guide to imposter syndrome

Academia's Among Us: A guide to imposter syndrome

Vol. 3 No. 7 (Summer 2022)

This post is from the 2022 CWCA/ACCR annual conference virtual poster session. – Stevie Bell and Brian Hotson, 2022 CWCA/ACCR conference co-chairs

By Ashley Kyne, Simon Fraser University


“Am I good enough?” “Do I belong here?” Have these questions ever plagued your mind? Well, you are not alone. Undergraduate students, graduate students, post-docs, and even your professors (yes, they can feel this way too!) are haunted by feelings of inadequacy. However, how did this syndrome come to be? Imposter syndrome is a feeling of self-doubt or incompetence. Despite your accomplishments, imposter syndrome can be described as that little voice in your head that makes you question your self-worth. Imposter syndrome can be attributed to a pattern that causes academics to doubt their success, feel like a fraud, and perceive themselves as failures. So, if you doubt yourself, even when you are doing everything right, are you sentenced to feeling like an imposter forever? No. There are a few things you can do when you feel like imposter syndrome is creeping up behind you. Namely, turning off “negative self-talk TV,” embracing criticism, avoiding comparison, asking for help, and being kind to yourself. Continue reading “Academia’s ‘Among Us’: A guide to imposter syndrome”

Principles of Inclusive & Antiracist Writing

Vol. 3 No. 8 (Summer 2022)

This post is from the 2022 CWCA/ACCR annual conference virtual poster session. – Stevie Bell and Brian Hotson, 2022 CWCA/ACCR conference co-chairs

By Julia Lane, Simon Fraser University


If you want to write in an inclusive and antiracist way, you have to pay attention to the perspectives, peoples, and groups that might be excluded and even harmed through your writing, even if unintentionally.

  1. Question Assumptions. Part of the power of inclusive and antiracist writing is that it prompts us to shine a light on our assumptions–even ones we’ve never noticed before.
  2. Choose words thoughtfully & carefully. As you question assumptions, you bring new attention to the words you use. Words have power and no two words mean precisely the same thing!
  3. Revise critically. Like all writing, inclusive and antiracist writing benefits from revisions! Seek feedback from those whose experiences differ from yours.
  4. Learn from feedback. When you get critical feedback treat it as a chance to learn and grow. Mistakes are not an excuse to give up or back away from the work.

Continue reading “Principles of Inclusive & Antiracist Writing”

ProTips for Essay Writers: From OWL Handouts to Videos

Image of Stevie Bell, a white woman with cropped hair, and Brian Hotson, a white man with a grey beard, smiling with the text: Pro Tips for Essay Writers

Vol. 3 No. 9 (Summer 2022)

This post is from the 2022 CWCA/ACCR annual conference virtual poster session. – Stevie Bell and Brian Hotson, 2022 CWCA/ACCR conference co-chairs

By Stevie Bell, York University Writing Department & Brian Hotson, Independent Scholar


The digital turn in education, part of the COVID turn, initiated by the pandemic reenergized, recentred, and reoriented asynchronous writing instruction where students engage with writing resources and connect with writing tutors on their schedule. At York University’s writing centre, where Stevie is located, renewed attention is being paid to developing a repertoire of online resources to engage students differently than traditional PDF instructional handouts or webtext pages. Stevie was given a .5 teaching credit in an experimental initiative to develop instructional videos for the Writing Centre and learn about student preferences, engagement, production processes, etc. Of course Stevie invited Brian Hotson, her writing partner, on the adventure. Together, they produced ProTips for Essay Writers. In this piece, we reflect on lessons learned and share some of the behind-the-scenes production workflow, how-tos, and video analytics. Continue reading “ProTips for Essay Writers: From OWL Handouts to Videos”

Writing a conference proposal: A guide

an auditorium filled with people with two presenters

Vol. 3 No. 3 (Winter 2022)

Brian Hotson, CWCA/ACCR 2022 Conference Co-Chair
Stevie Bell, CWCA/ACCR 2022 Conference Co-Chair


If you’ve not written a conference proposal, it’s hard to know where to start and what to write, all while following the conference CFP format. This guide (links below) will provide you with some help as you get your proposal started, into shape, and then submitted. This is a step-by-step guide, leading you through each part of the CFP:

  • Title
  • Detailed abstract
  • Proposal description
  • Type of session
  • References

Provided are instructions on how to structure each section using examples, leading to a final Proposal Description sample. Use it for your own proposal and share it with your colleagues and tutors.

Writing a conference proposal: A guide

2022 CWCA/ACCR Conference CFP – Reckoning with Space & Safety in the COVID Turn

If you need support, please contact the conference co-chairs,
Stevie Bell, stepbell@yorku.ca
Brian Hotson, brw.hotson@gmail.com

“I don’t know, let’s play”: Multimodal design support in the writing centre

the word "Play" in green against a brown backdrop

Vol. 3 No. 2 (Winter 2022)

Editor’s note: This is a Session Reflection. If you have a unique tutoring experience to share, submit your Session Reflection to Brian Hotson cwcr.rccr@gmail.com

Stevie Bell is an associate professor in the Writing Department at York University and CWCR/RCCR co-founder

A sticker with the word "essay" that looks like its meltingWriting centre tutors may be seeing an increase in multimodal writing projects (DWPs) now that students are primarily producing and submitting their work online―at least this is the case for me. Today’s students have the opportunity to use colour, sound, gifs, and video elements to enhance even traditional essays, and these elements are becoming not just common, but often expected. Students are also being assigned creative projects that require them to focus on becoming design-savvy producers of multimodal texts, using design elements and theory that isn’t always in their writing toolbox

Where on campus can students seek help with multimodal projects? In my opinion, writing centres are well positioned to extend the work they do supporting students as they use writing as a tool of thinking and communicating to include multimodal processes that do not prioritize alphabetic/linguistic modes. Writing centre tutors already know the structure of argumentation, the rhetoric of academic writing, and styles and formats required for writing at university or college levels. They also know how to think along with students, as well as to think in and through the tasks, challenges, and blocks that students come to the centre to work through.

Continue reading ““I don’t know, let’s play”: Multimodal design support in the writing centre”

Creating writing centres in neocolonialism

Vol. 3 No. 4 (Fall 2021)

Brian Hotson, Editor, CWCR/RCCR
Stevie Bell, Associate Professor, York University
Guest editor: Lauren Mackenzie

In 2008, the then CWCA/ACCR president participated in “setting up of the first writing centre” in India (Holock, 2009, p. 6) through the University of Ottawa. In a piece in the 2009 CWCA/ACCR Newsletter, Writing into India: Setting up the first Writing Centre in the country, Holock describes his experience at Parvatibai Chowgule College of Arts and Science in Gogol, Goa, India in a travel diary style recounting,

On Friday, June 27, 2008, we step off of our fifteen-hour flight in Mumbai, my boss and I, and immediately feel the weight of our endeavour. It is not only the heat and thickness of the air, but the realization that we have finally arrived to start work on Monday, in a country and an educational system that neither of us have ever been exposed to. (Holock, 2009, p. 6)

Continue reading “Creating writing centres in neocolonialism”

If you could say anything to faculty about academic integrity…

Vol. 3, No. 2 (Fall 2021)

Stephanie Bell, Associate Professor, York University Writing Centre; co-founder, CWCR/RCCR

A clear-cut strategy for undermining the writing centre’s relationship with student writers is to become reporters, adjudicators, or punishers of plagiarism and cheating (Bell, 2018).

In its heavy-handed discourse around academic dishonesty, the institution draws a divide between itself and students. Students arrive on campuses to find themselves positioned as likely criminals, and their work is policed by AI that scans it for infractions. Ironically, the institution’s academic dishonesty rhetoric can so undermine the institution-student relationship that it fosters academically dishonest student behaviour (see Strayhorn, 2012). To fulfill their missions, writing centres must carefully navigate the issue of academic dishonesty and the institution-student divide it constructs. Continue reading “If you could say anything to faculty about academic integrity…”